{"id":1107,"date":"2021-11-10T13:20:00","date_gmt":"2021-11-10T13:20:00","guid":{"rendered":"https:\/\/cogitateandpercolate.com\/?p=1107"},"modified":"2026-06-29T14:10:46","modified_gmt":"2026-06-29T14:10:46","slug":"a-history-of-xr-cross-reality-part-2-of-6","status":"publish","type":"post","link":"https:\/\/cogitateandpercolate.com\/?p=1107","title":{"rendered":"A History of XR Cross Reality Part 2 of 6"},"content":{"rendered":"<p>&nbsp;<\/p>\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto;margin-right: auto\">\n<tbody>\n<tr>\n<td style=\"text-align: center\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEgVI38orWxZgI1Gmmj2mdMlgSi2I_v0iXnrDHbWBxtWmAoytHxqUS-sWHAy5TrepM3Ub8sHmutvMq1p8HQ1wjdKYsWnFk0TgS9TyjEdcNORS6nmKEiwg0GcD4hMQFXnup2KVJGjca5JHpLh9bhryWs9W1lF9DMjI0Iro4roIVqSCNAtaUJVoRUhvsLg=w446-h640\" style=\"margin-left: auto;margin-right: auto\"><img decoding=\"async\" alt=\"Poster advertising the Theatrophone, a way to listen to a live theater show from another location.\" border=\"0\" data-original-height=\"400\" data-original-width=\"279\" height=\"640\" data-src=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEgVI38orWxZgI1Gmmj2mdMlgSi2I_v0iXnrDHbWBxtWmAoytHxqUS-sWHAy5TrepM3Ub8sHmutvMq1p8HQ1wjdKYsWnFk0TgS9TyjEdcNORS6nmKEiwg0GcD4hMQFXnup2KVJGjca5JHpLh9bhryWs9W1lF9DMjI0Iro4roIVqSCNAtaUJVoRUhvsLg=w446-h640\" width=\"446\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 446px; --smush-placeholder-aspect-ratio: 446\/640;\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center\"><span style=\"font-family: helvetica\">Jules Ch\u00e9ret, Public domain, via Wikimedia Commons<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div class=\"reader-article-content\" dir=\"ltr\">\n<p><span style=\"font-family: helvetica\">As a reminder, we are using science fiction as our time<br \/>\nmachine vehicle to examine how good we are at predicting the future and<br \/>\nour intention is to predict the future of cross realities (XR).<\/span><\/p>\n<h2><span style=\"font-family: helvetica\">1881 &#8211; 1909<\/span><\/h2>\n<p><span style=\"font-family: helvetica\"><b>1881<\/b><br \/>\n &#8211; The invention of the theater phone (theatrophone) allowed users to<br \/>\nlisten to the live opera from a location up to 1 mile away from the<br \/>\ntheater.&nbsp;So you do not have to be there <i>to be there<\/i>.<\/span><\/p>\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto;margin-right: auto\">\n<tbody>\n<tr>\n<td style=\"text-align: center\"><a href=\"https:\/\/cogitateandpercolate.com\/wp-content\/uploads\/2021\/11\/Theatrophon_Empfangsgerat.jpg\" style=\"margin-left: auto;margin-right: auto\"><img decoding=\"async\" alt=\"Artwork by an unknown artist showing a mini theater inside of a phone to advertise the theater-phone concept.\" border=\"0\" data-original-height=\"870\" data-original-width=\"921\" height=\"302\" data-src=\"https:\/\/cogitateandpercolate.com\/wp-content\/uploads\/2021\/11\/Theatrophon_Empfangsgerat.jpg\" width=\"320\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 320px; --smush-placeholder-aspect-ratio: 320\/302;\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center\"><span style=\"font-family: helvetica\">M\u00fcnzbetriebenes Empfangsger\u00e4t des <a class=\"extiw\" href=\"https:\/\/de.wikipedia.org\/wiki\/Theatrophon\" title=\"de:Theatrophon\">de:Theatrophons. Circa 1892<\/a>. Work is considered to be in the public domain in the US.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><\/p>\n<div class=\"slate-resizable-image-embed slate-image-embed__resize-middle\" style=\"text-align: center\"><\/div>\n<p><span style=\"font-family: helvetica\"><b>1882<\/b> Paleo futuristic image showing opera attendees in the <i>future year <\/i>2000.<br \/>\n In case you are checking your watch, that&#8217;s 2 decades ago as of this<br \/>\nwriting. Did I miss fish cars? Lizard cars? Actually, never mind. I<br \/>\ndon&#8217;t think you&#8217;d find me going to the opera regardless of the kind of<br \/>\ncar.<\/span><\/p>\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto;margin-right: auto\">\n<tbody>\n<tr>\n<td style=\"text-align: center\"><a href=\"https:\/\/cogitateandpercolate.com\/wp-content\/uploads\/2021\/11\/1024px-France_in_XXI_Century._Opera_avenue.jpg\" style=\"margin-left: auto;margin-right: auto\"><img decoding=\"async\" alt=\"Art by Villemard, comissioned circa 1910 for cigar boxes, showing how people will attend the opera, in flying cars, in the year 2000.\" border=\"0\" data-original-height=\"595\" data-original-width=\"1024\" height=\"186\" data-src=\"https:\/\/cogitateandpercolate.com\/wp-content\/uploads\/2021\/11\/1024px-France_in_XXI_Century._Opera_avenue.jpg\" width=\"320\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 320px; --smush-placeholder-aspect-ratio: 320\/186;\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center\"><span style=\"font-family: helvetica\">Villemard, Public domain, via Wikimedia Commons<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><\/p>\n<div class=\"slate-resizable-image-embed slate-image-embed__resize-full-width\"><\/div>\n<p><span style=\"font-family: helvetica\"><b>1895<\/b><br \/>\n H.G. Wells published The Time Machine as a dystopian future view.&nbsp;Wells<br \/>\n was living in rural England and was seeing the industrial revolution<br \/>\nexpand.&nbsp;He saw large factory cities swallow up young workers for long<br \/>\nhours in dark conditions and producing to satisfy an seemingly<br \/>\ninsatiable consumer.&nbsp;He looked forward and saw a future where humanity<br \/>\nwould become split into two groups that would <i>almost <\/i>would never interact.<\/span><\/p>\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto;margin-right: auto\">\n<tbody>\n<tr>\n<td style=\"text-align: center\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi6GPrH5fv78jWzGMnrL4cXb6NBNUDZFZaJvoNclbFA0ujsxHM1spaAj_yUCABY_992MyUH1dtxWFs8kue3BOt2dWbuH1i08gkwPc__SRPRzN4htE8YE4ng0oGls_uARJAx3hXNA09juU5DGckkBUWg2xej0Me5czdJw8K9skLV9jYVySeB9rzqcGp75Nw\/w208-h320\/512px-The_Time_Machine_(Heinemann_text)_-_front_cover.jpg\" style=\"margin-left: auto;margin-right: auto\"><img decoding=\"async\" alt=\"Book cover for The Time Machine by HG Wells\" border=\"0\" data-original-height=\"788\" data-original-width=\"512\" height=\"320\" data-src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEi6GPrH5fv78jWzGMnrL4cXb6NBNUDZFZaJvoNclbFA0ujsxHM1spaAj_yUCABY_992MyUH1dtxWFs8kue3BOt2dWbuH1i08gkwPc__SRPRzN4htE8YE4ng0oGls_uARJAx3hXNA09juU5DGckkBUWg2xej0Me5czdJw8K9skLV9jYVySeB9rzqcGp75Nw\/w208-h320\/512px-The_Time_Machine_(Heinemann_text)_-_front_cover.jpg\" width=\"208\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 208px; --smush-placeholder-aspect-ratio: 208\/320;\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center\"><span style=\"font-family: helvetica\">Author Herbert George WellsPublisher William Heinemann, Public domain, via Wikimedia Commons<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><\/p>\n<div class=\"slate-resizable-image-embed slate-image-embed__resize-full-width\"><\/div>\n<p><span style=\"font-family: helvetica\">On<br \/>\n the surface was a Greek god-like existence of Eloi. They all looked<br \/>\nalike. (Shivers.) This group would be the consumers. They would benefit<br \/>\nfrom this world order but simultaneously be oblivious to the price for<br \/>\ntheir existence. They would be a small group, the 1%.<\/span><\/p>\n<p><span style=\"font-family: helvetica\">The<br \/>\nunderground dwellers, the Morlocks, would run all of the machinery. They<br \/>\n would be the producers, and the generations of being underground would<br \/>\nallow for adaptations of evolution including large eyes, intolerance of<br \/>\nsunlight, and flesh-eating.<\/span><\/p>\n<p><span style=\"font-family: helvetica\">E.M. Forster read The Time Machine and rejected this future that H.G. Well foresaw.&nbsp;&nbsp;<\/span><\/p>\n<p><span style=\"font-family: helvetica\">However,<br \/>\n before we get to Forster\u2019s publication, we visit one other futurist. In<br \/>\n 1901, Frank Baum (of The Wizard of Oz) published The Master Key which<br \/>\ncontains the first known reference in writing to what we would recognize<br \/>\n today as <b>augmented reality:<\/b><\/span><\/p>\n<table align=\"center\" cellpadding=\"0\" cellspacing=\"0\" class=\"tr-caption-container\" style=\"margin-left: auto;margin-right: auto\">\n<tbody>\n<tr>\n<td style=\"text-align: center\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgi4NyptZmFB1_1ENFUj5Evurh7N5J2e8vrPKNOrsCKOGKOe31lcfWo081YoF5BUXB3V-zpHb6Ecs0gvbqpk1A6-d66FMRnX3lm8swH1FF8QmY2D99bPBmI8d7DmPbyCftjArGvBCCstrJQ0RSS6wmavZr8JCZcR5VN39q6HsmclpbPl1FvOY0_zUQ1QK0\/w237-h320\/512px-The_Wonderful_Wizard_of_Oz,_006.png\" style=\"margin-left: auto;margin-right: auto\"><img decoding=\"async\" alt=\"Book cover for The Wizard of Oz.\" border=\"0\" data-original-height=\"690\" data-original-width=\"512\" height=\"320\" data-src=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgi4NyptZmFB1_1ENFUj5Evurh7N5J2e8vrPKNOrsCKOGKOe31lcfWo081YoF5BUXB3V-zpHb6Ecs0gvbqpk1A6-d66FMRnX3lm8swH1FF8QmY2D99bPBmI8d7DmPbyCftjArGvBCCstrJQ0RSS6wmavZr8JCZcR5VN39q6HsmclpbPl1FvOY0_zUQ1QK0\/w237-h320\/512px-The_Wonderful_Wizard_of_Oz,_006.png\" width=\"237\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 237px; --smush-placeholder-aspect-ratio: 237\/320;\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"tr-caption\" style=\"text-align: center\"><span style=\"font-family: helvetica\">William Wallace Denslow, Public domain, via Wikimedia Commons<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><\/p>\n<div class=\"slate-resizable-image-embed slate-image-embed__resize-right\" style=\"text-align: center\"><\/div>\n<p><i style=\"font-family: helvetica\">&nbsp;&#8220;On<br \/>\n the other hand,&#8221; continued the Demon, &#8220;some people with fierce<br \/>\ncountenances are kindly by nature, and many who appear to be evil are in<br \/>\n reality honorable and trustworthy. Therefore, that you may judge all<br \/>\nyour fellow-creatures truly, and know upon whom to depend, I give you<br \/>\nthe Character Marker. It consists of this pair of spectacles. While you<br \/>\nwear them every one you meet will be marked upon the forehead with a<br \/>\nletter indicating his or her character. The good will bear the letter<br \/>\n&#8216;G,&#8217; the evil the letter &#8216;E.&#8217; The wise will be marked with a &#8216;W&#8217; and the<br \/>\n foolish with an &#8216;F.&#8217; The kind will show a &#8216;K&#8217; upon their foreheads and<br \/>\nthe cruel a letter &#8216;C.&#8217; Thus you may determine by a single look the true<br \/>\n natures of all those you encounter.&#8221;<\/i><\/p>\n<p><i style=\"font-family: helvetica\">&#8220;And are these,<br \/>\nalso, electrical in their construction?&#8221; asked the boy, as he took the<br \/>\nspectacles\u2026 All character sends out certain electrical vibrations, which<br \/>\n these spectacles concentrate in their lenses and exhibit to the gaze of<br \/>\n their wearer, as I have explained.&#8221;<\/i><\/p>\n<p><i style=\"font-family: helvetica\">&#8220;It&#8217;s a fine idea,&#8221; said the boy; &#8220;who discovered it?&#8221;<\/i><\/p>\n<p><i style=\"font-family: helvetica\">&#8220;It is a fact that has always existed, but is now utilized for the first time.&#8221;&nbsp; <\/i><span style=\"font-family: helvetica\">[A wonderful Wizard of Oz-like sense of humor. Making fun of the fantastical, but obvious.]<\/span><\/p>\n<p><span style=\"font-family: helvetica\">In <b>December 1909, <\/b> E.M. Forster publishes <a href=\"https:\/\/www.ele.uri.edu\/faculty\/vetter\/Other-stuff\/The-Machine-Stops.pdf\" rel=\"nofollow noopener\" target=\"_blank\">The Machine Stops.<\/a>&nbsp;If<br \/>\n you have a chance to read it, I encourage that. It is a remarkable<br \/>\nstory.&nbsp;If you substitute \u201cthe Internet\u201d for \u201cthe Machine,\u201d the story is<br \/>\neerily accurate in some predictions of humanity. There is also very<br \/>\ninteresting economy where humanity values <b><i>the exchange of ideas<\/i><\/b> above all other concepts (cough, Instagram, Twitter\/X, Mastadon, Bluesky, etc.).<\/span><\/p>\n<h3><span style=\"font-family: helvetica\">Short summary:<\/span><\/h3>\n<p><span style=\"font-family: helvetica\">In<br \/>\n the future, everyone lives underground in these large columns of cells<br \/>\nbecause the surface is inhabitable. Each person lives in a cell that is<br \/>\nof a small defined space, one person per cell.&nbsp;The collections of people<br \/>\n are like bee hives. Everything a person needs to live is brought to<br \/>\nthem in their cell by the Machine. Food, air, water, and once a day the<br \/>\ncell (and the person) are washed clean.&nbsp;The humans never meet or touch<br \/>\nin any way. They listen to concerts, speeches, and read books.&nbsp;&nbsp;<\/span><\/p>\n<p><span style=\"font-family: helvetica\">The<br \/>\n plot of the story unfolds with a son that yearns to escape to the<br \/>\nsurface world; he believes it might be inhabitable and as such, holds<br \/>\nnew promise for humanity.&nbsp;At first, he tells his mother about his desire<br \/>\n to leave via the Machine (a progenitor to Skype?) but the Machine,<br \/>\nintercepting the message, always fuzzes out when people express<br \/>\nunhappiness with the current order of things (cough, <a href=\"https:\/\/www.forbes.com\/sites\/kashmirhill\/2014\/06\/28\/facebook-manipulated-689003-users-emotions-for-science\/\" rel=\"nofollow noopener\" target=\"_blank\">Facebook experiment<\/a>).<br \/>\n Thus, the mother does not understand her son\u2019s intent. She tries to<br \/>\ndismiss her worries.&nbsp;The son becomes insistent and travels to visit his<br \/>\nmother in person. When they meet, the mother is bothered by human touch.<br \/>\n He insists that he\u2019s been on an exploratory climb and that he knows<br \/>\nother youth that are going to leave too. She will not leave the hive,<br \/>\nshe cannot understand why anyone would leave the Machine. He leaves and<br \/>\nfinds a livable world on the surface. The Machine, without humans to<br \/>\nservice it, eventually breaks down and everyone remaining underground<br \/>\ndies; not because they are unable to leave, but <i>because they lack the fortitude to do so<\/i>.&nbsp;<\/span><\/p>\n<div class=\"slate-resizable-image-embed slate-image-embed__resize-full-width\" style=\"text-align: center\"><\/div>\n<p><span style=\"font-family: helvetica\">Forster\u2019s future vision does not have cannibalism but it highlights an amazing weakness; <i>that the more humans depend on machines, the less <\/i><b><i>human<\/i><\/b><i> we will essentially become.<\/i>&nbsp;Forster seems to argue that the human connection to the natural world is our salvation; a lesson not lost in 2019.<\/span><\/p>\n<p><span style=\"font-family: helvetica\">You&#8217;ve<br \/>\n finished a great deal of time travel but this was the slowest feeling<br \/>\npart of our journey. We&#8217;ll start speeding up in Part 3 which will<br \/>\npublish on November 29, 2019.<\/span><\/p>\n<p><span style=\"font-family: helvetica\"><a href=\"https:\/\/heatheredodds.blogspot.com\/2021\/11\/a-history-of-xr-cross-reality-part-1-of.html \" target=\"_blank\">Part 1 380 B.C. to 1880<span>&nbsp;<\/span><\/a><\/span><\/p>\n<p><span style=\"font-family: helvetica\"><a href=\"https:\/\/heatheredodds.blogspot.com\/2021\/11\/a-history-of-xr-cross-reality-part-2-of.html \" target=\"_blank\">Part 2 1881 to 1909<\/a><\/span><\/p>\n<p><span style=\"font-family: helvetica\"><a href=\"https:\/\/heatheredodds.blogspot.com\/2021\/11\/a-history-of-cross-reality-part-3-of-6.html \" target=\"_blank\">Part 3 1910 to 1965<\/a><\/span><\/p>\n<p><span style=\"font-family: helvetica\"><a href=\"https:\/\/heatheredodds.blogspot.com\/2021\/11\/a-history-of-xr-cross-reality-part-4-of.html \" target=\"_blank\">Part 4 1966 &#8211; 1998<\/a><\/span><\/p>\n<p><span style=\"font-family: helvetica\"><a href=\"https:\/\/heatheredodds.blogspot.com\/2021\/11\/a-history-of-xr-cross-reality-part-5-of.html \" target=\"_blank\">Part 5 1999 &#8211; 2013<\/a><\/span><\/p>\n<p><span style=\"font-family: helvetica\"><a href=\"https:\/\/heatheredodds.blogspot.com\/2021\/11\/a-history-of-xr-cross-reality-part-6-of.html \" target=\"_blank\">Part 6&nbsp; 2014 &#8211; Future<\/a><\/span><\/p>\n<p><span style=\"font-family: helvetica\">#Reality<br \/>\n #CrossReality #MixedReality #VirtualReality #AugmentedReality<br \/>\n#VirtualWorlds #Design #Transmedia #XR #VR #AR #ARVRinEdu #EdTech<br \/>\n#Innovation #Change #HGWells #EMForster #TheMachineStops #TheTimeMachine<br \/>\n #TheMasterKey #FrankBaum #TheaterPhone<\/p>\n<p>Originally posted in November 2019. Updated on February 24, 2026 with changed font and re-added images.<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<div class=\"entry-summary\">\n&nbsp; Jules Ch\u00e9ret, Public domain, via Wikimedia Commons As a reminder, we are using science fiction as our time machine&hellip;\n<\/div>\n<div class=\"link-more\"><a href=\"https:\/\/cogitateandpercolate.com\/?p=1107\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &ldquo;A History of XR Cross Reality Part 2 of 6&rdquo;<\/span>&hellip;<\/a><\/div>\n","protected":false},"author":1,"featured_media":1108,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[102,72,27,26],"tags":[],"class_list":["post-1107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-history","category-research","category-vr","category-xr","entry"],"_links":{"self":[{"href":"https:\/\/cogitateandpercolate.com\/index.php?rest_route=\/wp\/v2\/posts\/1107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cogitateandpercolate.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cogitateandpercolate.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cogitateandpercolate.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cogitateandpercolate.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1107"}],"version-history":[{"count":1,"href":"https:\/\/cogitateandpercolate.com\/index.php?rest_route=\/wp\/v2\/posts\/1107\/revisions"}],"predecessor-version":[{"id":1114,"href":"https:\/\/cogitateandpercolate.com\/index.php?rest_route=\/wp\/v2\/posts\/1107\/revisions\/1114"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cogitateandpercolate.com\/index.php?rest_route=\/wp\/v2\/media\/1108"}],"wp:attachment":[{"href":"https:\/\/cogitateandpercolate.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cogitateandpercolate.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cogitateandpercolate.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}